You have to live it to some degree. You have to be committed and yes money ruins you. Fiction writing is not a parlor trick you sit in your armchair and play. You have to feel it with your heart and soul and your very existence should be in those words. The real fiction writer is dangling by a thread over the chasm of his survival and his or her writing is salvation. The white hot furnace of fiction demands this.
You could not have an On the Road if Kerouac was fat and sassy and sitting on a million bucks. The only reason that book works is because he lived it, but also because his back was against the wall. He could not get published, he was broke, wandering. Out of this came a teletype scroll of words fueled by Benzedrine that became a testament to the world and summed up a generation. Or A Catcher in the Rye. The book resonated because Salinger felt disaffected and lost after the war. His agony became Holdens.
Take our fiction today. It is thin gruel for our Internet souls. A lot of it is warmed over derivative fiction that violates that most basic rule, show don't tell. A lot of authors write on what they don't know. They don't know life because they are experiencing it in the third person behind the veil of the Internet or movies or books. If they do live the writer life then they must survive and then they must get into print. No small thing. The current vogue of fiction is something between I'm going to bury you with my historical opus and what real story can I tell served up as fiction.
You certainly can't look to the bestseller lists to find the real stuff. It's not there. Never has been. The white hot furnace of fiction burns cold except for the hungry.
William Hazelgrove's latest novel is Rocket Man. His highly praised first three novels Ripples,(Pantonne) LJ highly recommended, ALA Editors Choice, Tobacco Sticks, (Bantam, Best Novels of the Nineties Doris Lesher, Starred Review PW, LJ highly recommended) and Mica Highways, (Bantam,) covered the scope of a coming of age, a courtroom drama set in Virginia in the forties, and a mystery set in the South. He has written reviews and features for USA TODAY and been the subject of stories in the NY Times, LA Times, Chicago Tribune, USA Today, and NPR'S All Things Considered.. More information can be gathered at http://www.billhazelgrove.com
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This article has been viewed 3 time(s). Article Submitted On: October 07, 2010
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